Recently we had a child free (yay!) weekend away at Omaha, a little settlement on the north-east coast, about an hour drive from Auckland. We’re doing the half marathon/10k events there on the first Sunday in December, so wanted to take a look around the place first.
I rented us a little apartment in the “new” side of the development, which is near the start/finish point, altho really nothing is too far away here. The furniture was a mix of contemporary and antique, including a rocking horse that I’d have loved as a child.
The top row of photos is from the beach at Omaha looking east – the shadow island is Little Barrier. On good days you can apparently see it clearly and further out to Aotea or Great Barrier. I know – to think this wasn’t a good day???
The middle row is just a couple of things that caught my eye at Matheson’s Bay, which is on the road to Leigh. Si learnt to snorkel and spearfish here when he was in the Army Air Corps unit; it was once the home to a thriving boat building business. There’s lots of rock pools down past that twisty Pohutukawa and we enjoyed exploring them.
The nearest town with full services is Matakana; full of gorgeous food, heritage buildings and wonderful people. The war memorial had been part of a service for VE day on the 11th and still had all the wonderful poppies; and this church still has working bells that call the faithful to service on Sunday morning (bottom row).
I’m ready to head back after the crappy “spring” weather we’ve had for the last few days!
Morena everyone! I’d say “happy singles day” but what?? I may work for a mainstream retailer but this just looks like another excuse for a sale day – except of course in the actual country of origin, China, where it is both celebration and retail day: Via Wikipedia: The Singles’ Day, or Bachelors’ Day, originated at Nanjing University in 1993. Singles’ Day celebrations spread to several other universities in Nanjing during the 1990s. November 11 (11/11), consisting of four “1”s, was chosen as it represents four singles.
Anyways, back to me. It’s all about me, right? Hmm. Si generously passed on his man flu to me and I ended up needing 7 days off work, plus all the weekend days, to get myself back to anything resembling normal. It wasn’t covid, thank you Lord, but another virus that is almost as heavy. I do the weekly “flu tracker” emails and interestingly there has been a spike in recent weeks. I have the gift of catching every bug that does the rounds!
I haven’t done that much stitching in the meantime. I did suss out the ribbon conversion in Luce Mia – the original is reasonably bright teals, so I went to corresponding blues, which looked awful, so then I went to a colour range that is also used in Mermaids of the Deep Blue. I am now at the part of completing the fin edge so I can blob out this weekend and stitch the one colour of her tail. I have converted that to a GAST for a bit of variety tho. The Barbados Santa’s are coming along, and I have joined the Mill Hill Monday group to keep me motivated there.
Reading has been a lot of forgettable stuff until this last week. I have the ARC of the new Rosalind James; and I’ve been well enough to listen and follow the Peter Robinson DCI Banks book Careless Love. Sadly I am nearly at the end of that series, having made the 20+ books last nearly two years – write faster, Peter!! Not sure what I will move onto after those, as I enjoy both the writing style, & character development and the tones of Simon Slater, the narrator are lovely. Any suggestions?
Synopsis: Up in the attic, with views across the sparkling bay, she opens the lid of the carved trunk. Carefully moving aside the delicate linen wedding dress once worn by her great-aunt, she unpacks all the smaller boxes inside until she finds the leather-bound diary. She knows this will change everything…
All Zoey’s happiest childhood memories are of her great-aunt Ivy’s rickety cottage on Dune Island, being spoiled with cranberry ice cream and watching the tides change from the rooftop. Now, heartbroken from a recent breakup, Zoey can see her elderly aunt’s spark is fading, and decides to move to the island so they can care for each other.
When she arrives to find her cousin, Mark, sitting at the solid oak kitchen table, she knows why Aunt Ivy hasn’t been herself. Because Mark—next in line to inherit the house—is pushing Ivy to move into a nursing home.
With the cousins clashing over what’s best for Ivy, Zoey is surprised when the local carpenter who’s working on Ivy’s cottage takes her side. As he offers Zoey comfort, the two grow close. Together, they make a discovery in the attic that links the family to the mysterious and reclusive local lighthouse keeper, and throws doubt on Mark’s claim…
Now Zoey has a heartbreaking choice to make. The discovery could keep Ivy in the house she’s loved her whole life… but can Zoey trust that the carpenter really has Ivy’s best interests at heart? And will dredging up an old secret destroy the peace and happiness of Ivy’s final years—and tear this family apart for good?
A stunning and emotional read about old secrets, new love and never forgetting the importance of family. Perfect for fans of Mary Ellen Taylor, Robyn Carr and Mary Alice Monroe.
My Thoughts: I admit I clicked on this title initially because of the cover (oh la la) and the name of the author – I didn’t read past Kristen H!!! However, win on my part because this was very, very enjoyable. The book has changed a little since the synopsis was written, but the general idea is there. The characters grow and change, the dialogue and situations are realistic (I was sniffing a bit at the examples of early stage dementia, having only recently experienced this with a relative) and overall, I’d give this four stars. I will be looking for more from this author.
Aunt Ivy’s Cottage releases on Dec 7th 2020. I received my copy as an ARC from Bookouture via NetGalley.
Morena everyone (that’s Māori for Good Morning). It’s another sunny humid spring day down here in Auckland and of course, I’m stuck at work. If there is one thing 2020 has taught me, it’s to be grateful that I’m “stuck” at work. To have the ability to move freely within my country, to have the ability to pay my bills, to have the ability to buy frivolous stuff, go to sporting matches, walk on the beach or in a park, go out for dinner or a show – it’s all so very, very good. There’s a load of shite being posted on Twitter from a group of UK central/right wing activists about how NZ has been transporting people to concentration camps and the like – I can assure you that is not the case!
I am also working on Luce Mia when the light goes on in the lounge (embroidery is much easier in daylight) and at work, the Barbados Santa duo is coming to life.
Readingwise, I am currently reading the new Eloisa James romance, My Last Duchess, which is the latest in her Wildes series. I have loved Eloisa’s novels for years (yes, I know who she is IRL, not really Eloisa) and have often gone on reading tangents after. I might even be more tolerant of Shakespeare! I’ve also read an ARC of an upcoming title via NetGalley, which will be my Friyay post. I’m trying to get a “new to me” author at least fortnightly. It’s one way of expanding the boundaries I pulled around myself this year.
Anyways, take care, especially if you’re in a covid hot-spot. Let me know what you’re doing to help yourself mentally too – we should all be sharing the good stuff!
Well, it’s still Wednesday somewhere in the world, even tho it’s definitely Thursday for me!
I put away Fairy Idyll last week – she wasn’t bringing me any happiness and it felt like a chore. I guess a two week slog every now and again will be the norm with her. Instead, I worked a few days on the Barbados Santa pair (I’d only got the hat/hair part completed before) and then a new start – Luce Mia from Nora Corbett on Countrystitch Cook Strait (cause mermaids always belong in the sea, right?) which is the other half of the fabric used on Sirens of the Sea. This is two of her hair colours complete, and I’ve kind of worked out a GAST conversion for her tail (it’s mostly one DMC which is booooring). She’s about the right mix of size, complexity and interest that I want now, as we head into the busy retail season and all the end-of-year things.
And today I opened a parcel I’d ordered in APRIL from a local crafter. These are the initials of everyone in the family and my plan is to hang from the light garland that will be on the big mirror on the lounge wall. I’ll have to either add new initials as partners/children come into the fam or give the ornament away when child moves out – I like the first idea better! Have a lovely week. If you’re in NZ, stay safe this Labour Weekend and enjoy some time in the outdoors.
Hey everyone! Look at this, a post with stitching on a Wednesday. Wow.
This week I’ve only dawdled on Fairy Idyll, severely unmotivated as I was worried about the event last Sunday. I have finished around with adapting Cathy Habermann’s Year in Chalk December chart to fit a specific frame, so here it is:
As for the event, it was my first competitive 10k, based on the Devonport Half Marathon. Si completed the half, just outside the time limit, and I completed the 10k just inside that limit at 1:51. My plantar didn’t give me too much grief (it did hurt at times, and I did cry when the site physio manipulated it after the event) but I’ve pulled up okay. Roll on Omaha in December!
Synopsis: In a peaceful retirement village, four unlikely friends meet up once a week to investigate unsolved murders.
But when a brutal killing takes place on their very doorstep, the Thursday Murder Club find themselves in the middle of their first live case.
Elizabeth, Joyce, Ibrahim and Ron might be pushing eighty but they still have a few tricks up their sleeves.
Can our unorthodox but brilliant gang catch the killer before it’s too late?
My thoughts: I only picked this one up because I really like Osman’s sense of humour – or at least how it comes across on the TV. However I was quickly hooked into the quirky, charming and off beat characters. This is well written, not your usual debut fiction, and I’ve already purchased book two, which isn’t expected until September 2021! I gave this 5 stars and recommend if you like thoughtful, multi-layered mysteries with not a lot of gore, it’s for you. I can see it as a TV remake, somewhere between Midsomer Murders and Doc Martin…
Hello everyone! WIPocalypse is the monthly check-in SAL hosted by Measi on her blog, and via the Facebook group – we welcome all enablers! Click on the icon to the right to learn more. If you’re a crafter, please join up either on your blog or via the Facebook group – we welcome all enablers!
I am finally back in the office and thinking things should be back to “normal”, whatever that might be. It’s not as nice in the office as it is at home – I work better on my own timetable and without distractions – and I am struggling to find enough to do. The boss has suggested that I go out to one of the stores and work from there…which is always an option, except I couldn’t do on my feet all day like I have previously. But being back in the office has made me realise I’ve really let this blog go… so here’s a long post.
I didn’t upload July or August notes. I did create some July (points for me!!) so here’s a summary: My July should have been quiet, but we’ve had a rush of stuff on at work and in the weekends, we’ve had rugby or escape from Auckland on our minds. We’ve seen some lovely little spots in Northland but I’m ready for some time nesting at home.
My July plans were simple when I started out – beading Shakespeare’s Fairies, put a little into Fairy Idyll and start When Life is Done – but I made them even simpler. I’ve worked nearly every day on When Life is Done, as it feels so good to complete each word. I did take my Chatelaine Castle I with me to Out West (a guild meeting) so at least I picked up another project.
I also found, quite by chance, a framed Elizabeth and the Lavender Sky by Mirabilia. I wonder what happened to the stitcher or her recipient, but reaching out on FB hasn’t netted a result.
The question for this month is What new charts or designers are catching your eye this year? Well – I have brought a few more “new to me” things like a Hands Across the Sea sampler (the fundraiser Jane Marshall 1857) & When Life is Done from Silver Creek, and subscribed to the bi-monthly Sassy Pouch. I am turning to more of my previous favourites from designers and have managed to get my WIP pile back under almost control. My impulse to BUY ALL THE THINGS is really high and I am trying not to submit to that.
August, if I had created a post, would have been a confession that I did indeed BUY ALL THE THINGS. I finished When Life is Done, and that’s at the framers; then picked up several Nora/Mirabilia, so I have Holly and all her seasonal Queens now; plus Silver Moon Tea which I will reverse so it faces Elizabeth; I brought a Just Nan, Sirens of the Sea, and stitched this in September and then sold the chart this month. Shakespeare’s Fairies was completed, hooray, then my order of Princess Elliana +fabric + beads arrived as well as HOD December and the annual Just Cross Stitch Christmas magazine. I am so far in the red it’s not funny…but I don’t really care!
August’s question was Have you participated in any of the mystery SALs on Facebook (or other social media)? What do you think makes a successful mystery SAL? I am NOT a mystery stitch person. Either the designer has to be one that I enjoy or I have to know what the result might look like…so I haven’t done anything. However, if Nora Corbett or Dianne from Silver Creek or Cathy from HOD did one, I’d probably jump on in.
September’s question was Are you a seasonal stitcher, or can you stitch on any holiday/seasonal stitch at any time of year? I LURVE Christmas, and I could stitch on something every month. I used to do the Sandra Cozzolino Santas all the time but I am well behind that target this year. I’ve maybe finished two Wales? I am currently using the older HOD Chalk December and the Mill Hill Carribean Santa for travel/work pieces so yeah. Heading into summer season here in NZ and I’m so ready for it.
Subtitle: Murder, forensics, and the birth of crime scene investigation
Synopsis: ‘Heinrich changed criminal investigations forever, and anyone fascinated by the myriad detective series and TV shows about forensics will want to read [this].’ The Washington Post
‘An entertaining, absorbing combination of biography and true crime.’ Kirkus
Berkeley, California, 1933. In a lab filled with curiosities – beakers, microscopes, Bunsen burners and hundreds of books – sat an investigator who would go on to crack at least 2,000 cases in his 40-year career.
Known as the ‘American Sherlock Holmes’, Edward Oscar Heinrich was one of the greatest – and first – forensic scientists, with an uncanny knack for finding clues, establishing evidence and deducing answers with a skill that seemed almost supernatural.
Based on years of research and thousands of never-before-published primary source materials, American Sherlock is a true-crime account capturing the life of the man who spearheaded the invention of a myriad of new forensic tools, including blood-spatter analysis, ballistics, lie-detector tests and the use of fingerprints as courtroom evidence.
My thoughts: This book could have been oh-so-good if it wasn’t for a couple of things (note these might be corrected in a future edition) – the timeline becomes quite disjointed a few chapters in and there isn’t enough focus on Heinrich himself. A good editor would fix this quickly. The amount of information saved by the Heinrich family and given over to the university is amazing and I’d love to see a collection of his letters in chronological order. Heinrich’s influence on modern policing and the mundane but methodical crime investigations would be immeasurable as many of his techniques and ideas are still in use today – however I don’t believe he is the pioneer or spearhead of lie-detection tests!
Thank you to #NetGalley for this uncorrected proof.
From the bestselling author of The Land Girls comes a beautifully realised novel that speaks to the true history and real experiences of post-war Australian women.
Sydney 1945 The war is over, the fight begins.
The war is over and so are the jobs (and freedoms) of tens of thousands of Australian women. The armaments factories are making washing machines instead of bullets and war correspondent Tilly Galloway has hung up her uniform and been forced to work on the women’s pages of her newspaper – the only job available to her – where she struggles to write advice on fashion and make up.
As Sydney swells with returning servicemen and the city bustles back to post-war life, Tilly finds her world is anything but normal. As she desperately waits for word of her prisoner-of-war husband, she begins to research stories about the lives of the underpaid and overworked women who live in her own city. Those whose war service has been overlooked; the freedom and independence of their war lives lost to them.
Meanwhile Tilly’s waterside worker father is on strike, and her best friend Mary is struggling to cope with the stranger her own husband has become since liberated from Changi, a broken man. As strikes rip the country apart and the news from abroad causes despair, matters build to a heart-rending crescendo. Tilly realises that for her the war may have ended, but the fight is just beginning…
My thoughts: This book is both quite deep and superficial. Sydney’s last few weeks of the War in the Pacific and the months of anticipation and recovery after form the background, and the lives and thoughts of a few central characters form the main focus. The struggle that women had against the resurgence of the pre-war chauvinistic ideals echoes still now in 2020 as does the difficulty the men have with coming back to the idealistic views of Home that has moved on without them.
I really liked the fact that I’ve spent hours walking around the Sydney that Tilly inhabits and could view her world as I read. The passage about Tilly’s thoughts and feelings when in the ANZAC memorial was amazing.
I haven’t read anything by this author before but she’s one I’ll look for in future.
I received a copy of this title via NetGalley. It’s available on most platforms and in stores from September third.